https://youtu.be/f6gnUgxkfLE?si=rMiU1PA833rngj9H
Palestine was never empty. The camera already knew that.
In 1896–97, the Lumière brothers sent Alexandre Promio to film the Holy Land under Ottoman rule. What he captured is among the earliest moving images of Palestine: Jaffa Port, the courtyard of Bethlehem’s Church of the Nativity, Jerusalem’s railway station, sacred sites, and people in the streets.
Muslims. Christians. Jews. Walking the same gates, the same roads, the same land.
Not a slogan. Not a later map. Actual footage of a living country called Palestine — ports, churches, stations, markets, worshippers — before partition, before occupation, before the claim that this was a vacant stage waiting for someone else.
Watch the people, not the propaganda. Jaffa was a port. Bethlehem was a town. Jerusalem was a city of three faiths under one sky. That is the historical record, not a talking point.
Palestine had a name. Palestine had people. The film is still there.