Labels

Showing posts with label Ottoman Empire. Show all posts
Showing posts with label Ottoman Empire. Show all posts

Friday, August 15, 2025

Old photos of Palestine c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

The Ecce Homo Arch in the Via Dolorosa Jerusalem, photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

The Garden of Gethsemane photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

The Valley of Jehoshaphat and the Mount of Olives photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

This beautiful book is printed on India paper in addition of 100 and is exquisitely illustrated with 24 photogravures from photographs by Cecil V. Shadbolt printed by the partnership of Annan & Swan, a photoengraving firm set up by James Craig Annan and Donald Swan in London in 1885. https://photogravure.com/collection/?artist=All&portfolio=Walks%20in%20Palestine&keywords=

 

Bethlehem photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"


The Church of the Nativity at Bethlehem photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

Jaffa, the Ancient Joppa  photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

The Mount of Temptation near Jericho photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"

The Jordan photographed c 1885 by Cecil Shadbolt, published in his book "Walks in Palestine"   

Sunday, June 8, 2025

Arts & Culture Rescuing the Memory: Gaza's Archaeological Treasures Between Exile and Resilience... The exhibit “Treasures Saved from Gaza – 5,000 Years of History,” organized by the Institut de Monde Arab (IMA) in Paris, constitutes a major cultural event in many respects. It not only highlights an exceptional archaeological heritage but also speaks to the necessity to protect cultural heritage in conflict zones through the example of Gaza, an emblematic region both by its history and the trials it is going through today.

Photographie de l'affiche de l'exposition/Photograph of the exhibit poster
 

Rescuing the Memory: Gaza's Archaeological Treasures Between Exile and Resilience
Date: 
May 02 2025

The exhibit “Treasures Saved from Gaza – 5,000 Years of History,” organized by the Institut de Monde Arab (IMA) in Paris, constitutes a major cultural event in many respects. It not only highlights an exceptional archaeological heritage but also speaks to the necessity to protect cultural heritage in conflict zones through the example of Gaza, an emblematic region both by its history and the trials it is going through today. 

A Dive Into 5,000 Years of History 

Since antiquity, Gaza has been an intersection of civilizations. Situated on a strategic commercial route between Asia, Africa, and Europe, it was influenced by a number of cultures – Egyptian, Philistine, Persian, Greek, Roman, Byzantine, Islamic, and Ottoman. This rich history is reflected in the objects presented by the IMA, which for the most part come from excavations performed in 1990 and 2000 in the Gaza Strip. 

The exhibit includes around 130 objects selected from a larger collection of 529 pieces belonging to the Palestinian National Authority, which have been kept at the Museum of Art History of Geneva (MAH) since 2007. The objects, ranging from the Bronze Age to the Ottoman Empire, include amphorae, oil lamps, funerary steles, votive figurines, jewels, and an exceptional mosaic from the Byzantine Empire found in Abu Baraqeh. Their diversity testifies to the cultural and religious importance of Gaza through the ages. 

The Treasures “Saved” and Sheltered  

What makes this exhibit particularly poignant is its context. The objects presented have never been able to return to Gaza because of the blockade and successive conflicts. They are kept in Switzerland, at the MAH, which has allowed them to avoid destruction. A large number of archaeological sites in Gaza have been damaged or destroyed in recent years. UNESCO has reported that since 2023, there have been attacks on over 69 cultural sites in Gaza, including a museum, religious sites, and historical buildings. 

 

Marble Statue of Aphrodite on display at the IMA

In this sense, the exhibit does more than simply display ancient artifacts: it is an act of cultural resistance, a reminder of the value of heritage in times of war. The exhibition also features a dedicated space for this issue, with a map of the bombings that have affected heritage sites, as well as rare historical photographs of Gaza in the early 20th century from the collection of the French Biblical and Archaeological School of Jerusalem. 

 

 Hellenistic and Roman artifacts from Gaza on display at the IMA

A Tribute to Memory and Resilience 

For Jack Lang, president of IMA, this exhibit is a tribute not only to the memory and the resilience of the people of Gaza. It serves as a reminder that Gaza, long before becoming a symbol of conflict, was a place of life, exchange, art, and spirituality. By restoring visibility to this glorious past, the exhibit also seeks to revive a collective awareness of the importance of safeguarding world heritage, wherever it may be found. 

A Cultural and Educational Experience... READ MORE https://www.palestine-studies.org/en/node/1657291

[AS ALWAYS PLEASE GO TO THE LINK TO READ GOOD ARTICLES (or quotes) IN FULL: HELP SHAPE ALGORITHMS (and conversations) THAT EMPOWER DECENCY, DIGNITY, JUSTICE & PEACE... and hopefully Palestine, or at least fair and just laws and policies]

Thursday, February 6, 2025

Photograph shows a woman in a traditional embroidered Palestinian dress and headdress, standing on balcony on the Mount of Olives overlooking Jerusalem, Palestine. Probable date of photo 1918

Photograph shows a woman in a traditional embroidered Palestinian dress and headdress, standing on balcony on the Mount of Olives overlooking Jerusalem.

Title and date from data provided by the Bain News Service on the negative. Other date on negative: 8/28/29 probably reflects later date of publication by Bain.

Forms part of: George Grantham Bain Collection (Library of Congress).

Date

01/01/1918