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Friday, November 8, 2024

In Forest of Noise, renowned Palestinian poet Mosab Abu Toha explores the pain, loss, and struggle of life in Gaza, while holding onto his connection to home

'Every child is me. Every mother and father is me': A glimpse of Gaza, occupation and genocide in Mosab Abu Toha’s new poetry collection, Forest of Noise


 

Book Club: In Forest of Noise, Palestinian poet Mosab Abu Toha explores the pain, loss, and struggle of life in Gaza, while holding onto his connection to home.

06 November, 2024

You might begin reading Palestinian poet Mosab Abu Toha’s second collection, Forest of Noise, by judging his book by its cover. On a matte, off-white background, a bark-brown, finger-painted hand and spindly arm stretch diagonally; green thumbprint leaves sprout from the fingers. It’s a tree limb. A child’s raised hand. An arm stretched in terror.

With its multiplicity of meanings, Arsh Raziuddin’s arresting cover art captures the spirit of Mosab Abu Toha’s candid poetry about living in and through war and genocide in Gaza.

It teases a litany of quandaries central not only to this collection but also to Mosab’s online presence as an unceasing chronicler of Israel’s destruction of Gaza: How does life go on amid death and devastation? How do despair and hope feed each other? When will it end? How can we make art amid the rubble? How can we not?

"Throughout the book, Mosab grapples with poetry’s ability to convey the horror of life in Gaza under Israeli assault"

In a recent post, Mosab responded to the widely shared photo of 19-year-old Sha’ban al-Dalou, arms raised against flames as he burned alive. Witnessing this horrific image reminiscent of his cover, he writes, “How can I look at my book? How can I read my poems?”

Throughout the book, Mosab grapples with poetry’s ability to convey the horror of life in Gaza under Israeli assault — and makes clear to readers the price the poet pays when writing and revisiting what he has lived through.

He also vividly portrays his deep connection to everything in Gaza, where he lived most of his life before fleeing last December to Egypt, then the United States, with his wife and children.

In a dedication, he writes:

“Every child in Gaza is me.

Every mother and father is me.

Every house is my heart.

Every tree is my leg.

Every plant is my arm.”

Born in 1992, Mosab Abu Toha has endured multiple Israeli assaults, as well as the siege of Gaza that began in 2007.

His collection’s opening poem, Younger Than War, recalls tanks rolling “through dust, through eggplant fields,” book-burning soldiers, and warplanes overhead at the start of the Al-Aqsa Intifada in September 2000.

“No need for radio,” he writes, “We are the news,” and “At the time, /I was seven: decades younger than war, /a few years older than bombs.”

Last fall, Mosab himself became news when Israeli forces kidnapped him and other Gazan men and transported them to an Israeli prison. Under pressure from PEN International, the New Yorker, and others, Israel released him, calling his detention “a mistake.”

In On Your Knees, it feels as though he is sitting across from us, recounting the harrowing story aloud:

"On your knees!

A new soldier calls me by my full name.

He even says my grandfather’s name.

I love the name of my grandfather.

I hate the soldier,

I hate his name,

which I do not know.

Your ID number, say it aloud!

Remove your clothes,

Even your boxer shorts.

Turn around.

*

In my ears, I’m hiding

my mother’s stories,

my father’s recitation,

of the Holy Quran when I am sick."

These lines offer both a blow-by-blow account of Mosab’s abuse and humiliation and his interior response: wanting to protect and keep for himself the things that matter most to him (memories, stories).

As for many Palestinians, a lineage of loss and persistence looms large for Mosab Abu Toha, a third-generation Gazan refugee whose grandparents fled Yaffa during the Nakba.

In My Grandfather’s Well, his deceased paternal grandfather stands vigil in Yaffa. “Where have you been? Grandfather asks me,” Mosab writes. As though the living have abandoned the dead.

Later, in No Art — which echoes and responds to Elizabeth Bishop’s One Art (“The art of losing isn’t hard to master/so many things seem filled with the intent/to be lost that their loss is no disaster”) — Mosab writes:

"I’ve personally lost three friends to war,

a city to darkness, and a language to fear.

This was not easy to survive,

but survival proved necessary to master.

But of all things,

losing the only photo of my grandfather

under the rubble of my house

was a real disaster."

Writing after and in response to other English-language poets like Bishop, Whitman, Ginsberg, Bob Kaufman, and Mosab Abu Toha’s beloved late friend and mentor Refaat Alareer, the poet pushes against any notion that poetry must uplift and beautify — or that any poem can stand alone.

Of course, poets know their work is inspired by and in dialogue with other works. But today, individual poems have become standalone memes that many of us share on social media because we feel otherwise impotent to stop Israel’s violence against Palestinians.

Mosab’s unwillingness to hold any particular poem holy reminds us that poets’ conversations with each other, across time and space, among the living and the dead, hold more power than a single poem.

Take his response to Refaat Alareer’s well-loved poem of hope, If I Must Die (which echoes Claude McKay’s defiant 1919 resistance poem If We Must Die).

Refaat wrote of his own foretold passing, “You must live/to tell my story… let it bring hope/let it be a tale.”

Mosab brings another perspective by writing about the nightmare of always knowing you’re this close to dying: “If I am going to die,/let it be a clean death./No rubble over my corpse.”

He wants a funeral, something too many Palestinians have been denied, and clean, ironed clothes for his corpse. He wants the dignity of a nonviolent death.

He continues this logic in Rescue Plane, where he wishes for two planes: One to drop wheat, tea, and vegetables in Gaza and remove rubble. Another is to drop flowers for children to plant on graves. And then he strips away the flights of imagination and reveals his true, and truly simple, wish: “No planes at all.../No war/I wish we never had to wish.”  ... READ MORE https://www.newarab.com/features/glimpse-gaza-mosab-abu-tohas-forest-noise

 [AS ALWAYS PLEASE GO TO THE LINK TO READ GOOD ARTICLES (or quotes or watch videos) IN FULL: HELP SHAPE ALGORITHMS (and conversations) THAT EMPOWER DECENCY, DIGNITY, JUSTICE & PEACE... and hopefully Palestine]

 

Tuesday, November 5, 2024

2024 Snoopy & Handala & the Statue of Liberty

 

West Bank Wall graffiti art in Bethlehem: Handala and Liberty as "Pietà"

Symbolism

Handala's age – ten years old – represents Naji al-Ali's age in 1948 when he was forced to leave Palestine and would not grow up until he could return to his homeland:[6] Al-Ali wrote that:

Handala was born 10 years old and he will always be 10 years old. It was at that age that I left my homeland. When Handala returns, he will still be 10 years old, and then he will start growing up.

His posture, with his turned back and clasped hands, symbolises the character's "rejection at a time when solutions are presented to us the American way" and as "a symbol of rejection of all the present negative tides in our region."[4] His ragged clothes and standing barefoot symbolise his allegiance to the poor.[4] Al-Ali described Handala as "the symbol of a just cause":

He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause   https://en.wikipedia.org/wiki/Handala

The greatest challenge to being alive: To witness the injustice of this world, and not allow it to consume our light.


Love to all, Ibtisam the Palestinian author


Good Palestinian moment: 
 
I went to the local authors exhibit at the public library and had a great time. Many people stopped by and said that they are sorry for what is happening in Palestine. . . That means they see our humanity . . I wrote their names in Arabic calligraphy, sold books, gave out sweet grapes rather than candy to the children and many signed up for my Arabic language and culture class on Zoom. 
 
The best part is that I don't have to fake anything. 
 
For many, many years, I had to act like I am American and my people are not facing genocide. Nobody wanted to hear that or accept that. I had to carry a mountain on my back for years. 
 
Now, people know and say they are sorry. The mountain is on the ground. It's a mountain of pain, but I can look at it and walk around it and aim to climb it now rather than it crush my soul alone . . . Thank you everyone who thinks about the humanity of Palestine denied for so long . . 
 
Love to all,
Ibtisam the Palestinian author
Ibtisam Barakat, author of 

TASTING THE SKY, a Palestinian Childhood

BALCONY ON THE MOON, Coming of Age in Palestine. 

 

2010 photo: Helen Thoman, Anan Ameri, AANM director, and author Ibtisam Barakat at the AANM national book award ceremony. Ibtisam served as a judge for the fiction category, 2010. Helen's sculpture was unveiled at the event. She was funny and sad about that controversial comment that ended her career.. Sam Donaldson from ABC introduced Helen's speech. Two huge journalism icons. Washington, DC.  GALLERY   http://www.ibtisambarakat.com/ 


70% of the ongoing Israeli genocide in Gaza is funded by the American government: Consecutive American governments have been diverting taxpayer money to finance the Israeli genocide against Palestinians, resulting in the killing of Americans too, instead of spending it on education and infrastructure for its own citizens.

 

@miftahpal
 
Despite Palestine joining 13 years ago, Israel continues to steal and/or destroy Palestinian heritage sites, in an attempt to erase Palestinian history and culture as part of its genocide and ethnic cleansing of Palestine as a whole.

 

Statement from the bishop of the ELCJHL about Israel’s decision to close UNRWA: “We ask you to join us in condemning this action in the strongest possible terms”

 

https://www.facebook.com/elcjhl/

Monday, November 4, 2024

Israeli settlements and outposts are used to take over Palestinian land and enable Israeli settlers to torment and terrorize Palestinians, transferring the protected population by force in violation of international law.

 UN Human Rights Palestine

"Israeli settlers, supported and facilitated by the Israeli government, are building an unprecedented number of illegal outposts in the occupied #WestBank, including East Jerusalem, with 43 new outposts established from Oct 2023 to Oct 2024, compared to a yearly average of 8 during the past decade. Outposts are used to take over Palestinian land and enable settlers to torment and terrorize Palestinians, transferring the protected population by force in violation of international law. Israel must immediately cease all settlement activities, evacuate all settlers from the Occupied Palestinian Territory and end the occupation as soon as possible, as concluded by the International Court of Justice."

Sunday, November 3, 2024

The brutality in Gaza must stop: We cannot afford to remain silent or complacent in the face of such brutality. Now more than ever, the American people must advocate for the rights and dignity of the Palestinians.

 

The brutality in Gaza must stop | Patriot News- PennLive letters online

The brutality in Gaza must stop | PennLive letters

In the middle of the night on October 13, the Israeli military unleashed flames of destruction on Al-Aqsa Hospital in Gaza, claiming the lives of countless innocent souls by the worse way possible - burning them alive. Journalists on the ground documented horrific scenes of helpless and trapped people consumed by flames in their sleep, in their hospital beds, bedridden and unable to move.

One of the victims, 19-year-old Shabaan Al-Dali, burnt alive with an IV line still attached to his hand. The world bore witness to the tragedy through the heart-wrenching screams of Saleh Al-Jafarawi: “People are being burnt alive right in front of us!”

His words echoed the profound helplessness that has gripped us all. This latest massacre is not an isolated incident. It is a chilling reminder of the previous “tent massacre” that unfolded in May at Tel Al-Sultan, where images of charred bodies and the beheaded child circulated across social media, igniting outrage and sorrow globally.

The purposefully inflicted humanitarian crisis in Gaza has been escalating at an alarming rate for the past year, in the most documented genocide in our history. The images of burning tents and helpless cries for help echo in our minds, a haunting reminder of the reality the Palestinians have been living for over 76 years. We cannot afford to remain silent or complacent in the face of such brutality. Now more than ever, the American people must advocate for the rights and dignity of the Palestinians.

Ikram Mezghani, Derry Township, Pa.

https://www.pennlive.com/opinion/2024/11/the-brutality-in-gaza-must-stop-pennlive-letters.html

 [AS ALWAYS PLEASE GO TO THE LINK TO READ GOOD ARTICLES (or quotes or watch videos) IN FULL: HELP SHAPE ALGORITHMS (and conversations) THAT EMPOWER DECENCY, DIGNITY, JUSTICE & PEACE... and hopefully Palestine]

"The United Nations was not created to take mankind to heaven, but to save humanity from hell." ~Dag Hammarskjöld, second Secretary-General of the United Nations

 🕊️

"The United Nations was not created to take mankind to heaven, but to save humanity from hell." ~Dag Hammarskjöld, second Secretary-General of the  @UN

 

Choose peace over conflict. It's time to turn on for peace and off for war and destruction. Every action counts in building a world where harmony prevails over chaos. 

The world needs to #ChoosePeace for #OurCommonFuture!



NOT A TARGET ...  #EducationCannotWait


CHOOSE PEACE

 
Racism, intolerance & discrimination tear at the fabric of our societies, which is a tragedy for all of us.

 
 75 years after the adoption of the Universal Declaration of Human Rights, the urgency of combatting racism and racial discrimination remains.

Every day, each and every one of us can stand up against racial prejudice and disrespectful attitudes. Let’s build a world beyond racism and discrimination, where we all exercise our human rights.

"As the world faces unsustainable levels of inequality, we need education – the great equalizer – more than ever."

– United Nations Secretary-General António Guterres

"These children are like children everywhere – they dream of becoming a teacher, a doctor, a lawyer, an engineer. The difference is that most of them are forcibly displaced and struggling simply to stay safe and survive. With the right tools and the right kind of support, we can help them realise their dreams."

– United Nations Deputy Secretary-General
Amina J. Mohamed

‘Death is everywhere’: fears grow that Israel plans to seize land in Gaza Increasingly violent siege of north raises suspicions about Netanyahu’s war aims

A devastated street in Gaza City on 2 November [amid Israel's WAR ON PALESTINE] Photograph: Omar Al-Qattaa/AFP/Getty Images
Israel has tightened its siege of northern Gaza in the face of warnings from the UN and other aid agencies that hundreds of thousands of Palestinian lives at are risk, raising questions over whether the Netanyahu government’s ultimate war aims include territorial expansion.

The IDF says it is hunting Hamas militants but suspicions are growing that Israel is putting into practice a blueprint it had officially distanced itself from, known as the “generals’ plan”.

The plan, named after the retired senior officers promoting it, was intended to depopulate northern Gaza by giving the Palestinians trapped there an opportunity to evacuate and then treating those that stayed as combatants, laying total siege.

The government insisted the plan had not been adopted, but some IDF soldiers in Gaza, as well as Israeli and Palestinian human rights groups, say it is being implemented on a daily basis, but with a major difference: the Palestinians in northern Gaza were not given a realistic chance to evacuate. They are trapped.... READ MORE  https://www.theguardian.com/world/2024/nov/02/fears-grow-israel-plans-seize-land-gaza-siege-netanyahu-war-aims

  [AS ALWAYS PLEASE GO TO THE LINK TO READ GOOD ARTICLES (or quotes or watch videos) IN FULL: HELP SHAPE ALGORITHMS (and conversations) THAT EMPOWER DECENCY, DIGNITY, JUSTICE & PEACE... and hopefully Palestine]

Philippe Lazzarini: Children & their education are not featured in any discussions when “experts “ or politicians talk about replacing UNWRA. Why? Because in the absence of a functioning state, there is no alternative.


UNWRA's good works through the years include educating the children of Palestine
 Philippe Lazzarini
@UNLazzarini

Children & their education are not featured in any discussions when “experts “ or politicians talk about replacing UNWRA
 
Why? 
 
Because in the absence of a functioning state, there is no alternative. 
 
Until October last year, @UNRWA provided learning to over 300,000 boys & girls in #Gaza, making half of the school children cohort. 
 
They are now losing a second year of education. In the #WestBank, nearly 50,000 children go to our schools. 
 
UNRWA is the only UN agency that directly provides education in UN schools. 
 
Our schools are the only education system in the region that includes a Human Rights programme and that follows United Nations standards and values. 

Dismantling UNRWA in the absence of a viable alternative will deprive Palestinian children of learning in the foreseeable future. 
 
Without learning, children slip into hopelesness, poverty & radicalization. 
 
Without learning, children fall prey into exploitation including joining armed groups. 
 
Without learning, this region will remain unstable & volatile. 
 
Without UNRWA, the fate of millions of people will hang by the thread. 
 
Instead of focusing on banning UNRWA or finding alternatives, the focus should be on reaching an agreement to end this conflict. 
 
This is the only way to prioritize the return to school for hundreds of thousands of children, currently living in the rubble. 
 
It’s time to prioritize children and their future.