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Mohammed El-Kurd @m7mdkurd Writer from Jerusalem, occupied Palestine. Palestine Correspondent at the Nation, editor-at-large at Mondoweiss. Preorder “Perfect Victims” using the link below |
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| Published Feb 2025- Perfect Victims cover illustration by Maisara Baroud. "Since the genocide started, he’s created this illustration and others from his tent in Rafah, Deir el-Balah, and elsewhere in Gaza." |
A stunning photo archive reveals a
time before the [Apartheid] walls and checkpoints, when Palestine was not defined by its
ailments but by its industries and cultures
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Three
generations from the village of Dhahiriyya (located between Hebron and Beersheba), February 9, 1940 |
by [poet] Mohammed El-Kurd
in The Nation
I am writing this introduction in English and Arabic, and it is in these moments that the profound chasm between these two languages reveals itself. In English, there is a need to riddle the page with facts and figures detailing the essential cruelties of an atrocity that should be—and should have long been—internationally recognized. I’m tempted to squeeze into these lines a history lesson, to list the names of the various terrorist paramilitaries that formed the Israeli military that’s terrorizing us today; the number of massacres, exiles, refugees; the endless hectares of stolen land; the pregnant bellies split open in Deir Yassin. There is no need for such contextualization in Arabic: The Nakba breathes down our necks, invading our national identity and contorting our earliest encounters with our sense of self. It is relentless. It happens in the present tense, everywhere on the map. For some households, it began when a grandfather was dispossessed in Jaffa and sought refuge in Gaza, where it continues in the rumble of the warplanes across the blockaded enclave, introducing his grandchildren to their first—or perhaps third, or sixth—war. Not a corner of our geography is spared, not a generation.
And it is seemingly ubiquitous, following us even in exile. A Palestinian born in Lebanon’s Ein El-Hilweh refugee camp, and not in their grandparents’ Akka—which is both far and near, less than 100 kilometers away—will live tortured by their aborted potential, deprived of citizenship and freedom of movement. And it is absurd: Settlers with New York accents, armed with rifles, can escape criminal charges in the United States to squat in a Jerusalemite’s home, backed by their army, judiciary, and God (their favorite real estate agent)....READ MORE https://www.thenation.com/article/world/palestine-before-the-nakba/
https://www.thenation.com/article/world/palestine-before-the-nakba/
Mohammed El-Kurd is a writer and poet from Jerusalem, occupied Palestine, currently serving as The Nation's first-ever Palestine Correspondent. He is the author of RIFQA (Haymarket) and the forthcoming nonfiction project tentatively-titled A Million States In One (Haymarket). His 2023 Edward Said Memorial Lecture at Princeton will be adapted into a book.
"Incidentally, the award-winning writer and poet was born exactly 50 years after 15 May 1948, a day known to Palestinians as the Nakba. It is perhaps destiny, then, that both Mohammed and his twin sister Muna live and breathe Palestinian politics. Aged 11, they watched a group of settlers forcibly take over half of their home, and throw out and burn their family’s possessions. To this day, the settlers still occupy the annex to their family home that’s located in the occupied East Jerusalem neighbourhood of Sheikh Jarrah."
https://www.gqmiddleeast.com/features/mohammed-el-kurd-gq-middle-east-2023
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| Photo from poet Mohammed El-Kurd's twitter |