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Byzantine, Crusader, and Ottoman traces. |
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"Sebastiya successfully combines the ideological framing of history and
identity. The exquisite rehabilitation of Sebastiya homesteads and
previously abused monuments addresses the relationship between time and
space, and points the way for the future development of Palestinian
cultural geography...."
Retrocog-nition in Sebastiya
Ethnographic Habitat, Place Memories, and Cultural Identity
"...Sebastiya is a living ode to Palestinian life, a museum of memories
with which we are already acquainted though Fairuz’s classical ballads.
In fact, the lyrics and melodies immortalised by Fairuz haunt the old
town of Sebastiya.
Sebastiya is a “place memory” par excellence, wherein the visitor
“remembers” events that have been experienced by others, and it is
closely associated with retrocognition, which literally means “backward
knowing.” In retrocognition, visitors and locals witness events as “a
playback of a past scene.” Thus, place memory and retrocognition
juxtapose present-day environmental place memory with alterations in
time that might let you literally see the past (retrocognition). With
retrocognition there is a dream-like state and an altered sense of time.
Each village has its own narrative, its own individuality, and its
own unique character. Sebastiya brings together Biblical, Roman,
Crusader, Ayyubid, Mamluk, and Ottoman archaeological architectural
elements, not as cold relics but as an integral expression of
Palestinian key symbols and signs within an ecological niche that the
Palestinian genius has sculpted through the past five millennia.
In Sebastiya, history and its relationship with narratives
constitutive of national identity weave a lyrical poem that celebrates
the roots of Palestinian national identity in antiquity. By situating
the cultural architectural narrative within the local spatial context
and connecting it to wider regional cultural geography and history, the
heritage attraction sites become signifiers that help advance the
understanding of the highly diversified cultural expressions of
Palestinian national identity.
In Sebastiya we find a venue that reveals the composite multi-layered
historical and demographic levels of which our cultural identity is an
expression. Sebastiya as an iconic heritage site has come to symbolise
fundamental aspects of “Palestinianness,” and in so doing presents the
nation as a family, a group of relations with shared history, values and
beliefs, and common characteristics."
Dr. Ali Qleibo is an
anthropologist, author, and artist. A specialist in the social history
of Jerusalem and Palestinian peasant culture, he is the author of Before
the Mountains Disappear, Jerusalem in the Heart, and Surviving the
Wall, an ethnographic chronicle of contemporary Palestinians and their
roots in ancient Semitic civilisations. Dr. Qleibo lectures at Al-Quds
University. He can be reached at: aqleibo@yahoo.com.
******
Habitat
Habitat is not your usual word. A look at the English dictionary definition reveals a number of meanings:
- The natural environment of an organism; a place that is natural for
its life and growth. For example, a desert habitat and all the wildlife
thriving there.
- A place where an organism is usually found. For example, Nablus is a
major habitat for knafeh chefs and sweet shops in Palestine.
- A special environment in which organisms reside over an extended
period. For example, the village habitat in Palestine is special for
both humans and animals.
If we take a look at the beautiful old houses in Palestinian
villages, towns, and cities, we find that they easily integrate with
their surrounding habitats. They have been built by the descendants of
people who have lived and been nurtured in this habitat for thousands of
years. A totally different perspective from the one you get when you
are struck by the illegal Israeli settlements that intrude on the
natural habitat of Palestine and impose ugly structures that have little
to do with their surrounding environment.
In the pages of this issue you will discover the unique floral
aspects of Palestine, its rich wildlife, and just how little you know
about it all. We hope that you will gain a greater appreciation of the
village habitat, the way Jerusalem produced its own kind of habitat, and
how all of it is endangered mainly because of the occupation but also
because of other social and economic factors.
Habitat is not just a word in Palestine; it is a way to affirm and preserve
our identity and way of life!
Ahmad Damen
Content Editor
THIS WEEK IN PALESTINE