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Showing posts with label Arab Voices. Show all posts
Showing posts with label Arab Voices. Show all posts

Friday, April 5, 2024

Palestine Is Poetry by Sabrin Hasbun ..... "Grief and loss and violence and pain have been forced on us constantly, for over 75 years."

           THE RECIPE

I found a recipe

to make

apple biscuits.

I had all

the ingredients:

the flour,

the eggs,

the apples,

the sugar.

I had all

the good intentions…

Arriving at home in time,

taking a warm shower,

preparing the biscuits in pajamas.

But I opened the news.

Just a quick

look,

a quick look.

It has been

two hours.

The dust

not that of flour

the shelling

not that of eggs

the cutting

not that of apples.

The sweetness

is all

gone.

The biscuits, the pajamas, the shower,

my home

smell of our blood.


A few days after I posted this poem on social media, someone close to me accused me of sensationalism. That it was not poetry. Poetry should not speak about those things.

Since then, I have heard the same or similar refrain again and again, every time we Palestinians tried to talk about Palestine.

In short, it sounds something like: Art should not be political. Education should not be political. Music should not be political. Family gatherings should not be political. Music should not be political. Journalism should not be political. TV should not be political. Sport should not be political. Politics should not be political.

I have heard that sentence all my life. A few times I even believed it in the name of some sort of lightness that was required from me. Oh come now, don’t be such a downer. Do not be so political!

We were entering the full brutality of the attack on Gaza and people wanted us to shut up. To die in silence. Not to upset them with our tragedy.... READ MORE   https://thisweekinpalestine.com/palestine-is-poetry/

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Friday, March 22, 2024

Wednesday, October 13, 2021

Netflix Launches ‘Palestinian Stories’ Collection With Award-Winning Films- October 2021

  • Netflix will launch a collection of 32 films either helmed by Palestinian filmmakers or about Palestinian stories, including award-winning titles like ‘A Man Returned’ (عودة رجل) by Mahdi Fleifel; ‘Like 20 Impossibles’ (كاننا عشرون مستحيل) by Annemarie Jacir and ‘The Crossing’ (العبور), directed by May Odeh.

On October 14th, Netflix will launch the Palestinian Stories collection, showcasing films from some of the Arab world’s finest filmmakers. Available for members around the world, the collection includes a lineup of award-winning films by Palestinian filmmakers or about Palestinian Stories. The collection is set to launch with 32 films with more to be added over the next few weeks.

Featuring the works of prolific and critically-acclaimed directors like Annemarie Jacir, Mai Masri, Mahdi Fleifel, Susan Youssef, May Odeh, Farah Nabulsi and many more, the collection is a tribute to the creativity and passion of the Arab film industry as Netflix continues to invest in stories from the Arab world.... READ MORE

 As Always Please Go To The Original Link To Read The Article In Full

The Palestinian Stories Collection will be available to access by searching “Palestinian Stories” on Netflix.

Monday, February 10, 2014

Ziad Asali : The Road to the Arab Civil State

Good Advice
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"...This tumultuous period of transformation and change presents a historic opportunity for the Arab peoples, and their elites, to regain self-confidence and once again believe they have the ability to overcome their challenges and the power to determine their own futures. Explaining away uncomfortable realities by citing oft-repeated theories about “Zionist and international conspiracies” or “hidden hands” should not be allowed to seduce Arabs into any kind of withdrawal from the reality or the broader world around them.

Such conspiracy theories are repeated with abandon. They rob the Arab people of their ability to assert their rights and responsibilities as citizens, and to take the initiative proactively to determine their own futures for themselves. It is high time that Arab societies face up to their internal problems and external challenges, rather than blaming others. They should develop new social compacts and legal and political processes that will allow them to unite and shape their own futures, rather than passively waiting for events to unfold, and all the while learning from the experiences of other regions and countries.

There is a historic opportunity for a new, galvanized Arab intellectual life to inform and participate in empowering a new consciousness that embraces the inescapable reality of global competition and the urgent need for Arabs to raise the levels of efficiency and professionalism in their societies.

Let’s begin by correctly identifying what’s going on: these are civic transformations that must be the basis for the creation of fully formed, well functioning modern societies that are united within themselves and competitive globally. But for this to happen, intellectual, social, cultural and political discourse in the entire spectrum of the Arab world must begin to find ways of promoting pluralism, tolerance, freedom, accountability, rule of law and real equality for minorities and women.

This will not be easy. A recent UNESCO report that confirms that half the children in Arab states lack the fundamentals of a basic education demonstrates that all too clearly. The future of the Arab world relies on developing the necessary mechanisms for social and economic development and real international competitiveness.

These challenges are gigantic, but the crucial thing is to begin moving in the right direction. Once the process is underway, it is the responsibility of like-minded people to work together and develop the necessary compromises and consensus views that can begin to coalesce on the ground and online to develop a better and safer future for the region. The path will be long and difficult, but it is unavoidable and failure cannot be an option."

***
 
Ziad J. Asali, M.D., is the President and founder of the American Task Force on Palestine

Dr. Asali was born in Jerusalem, where he completed his elementary and secondary education. He received an M.D. from the American University of Beirut (AUB) Medical School in 1967.  

The American Task Force on Palestine (ATFP) is a 501©(3) non-profit, non-partisan organization based in Washington, DC.  Established in 2003, its mission is to articulate and educate about the United States national interest in helping to create a Palestinian state living alongside Israel in peace, security and dignity. 

ATFP is committed to strengthening Palestinian-American relations at every level. The Task Force supports Palestinian institution-building, good governance, anti-corruption measures, economic development, and improved living standards. ATFP holds that these same values are relevant to the broader Arab world, and that the question of Palestine is inextricably linked to regional realities and developments.

ATFP provides an independent voice for Palestinian-Americans and their supporters and advances human rights and peace. It categorically and unequivocally condemns all violence against civilians, no matter the cause and who the victims or perpetrators may be.

ATFP builds effective and durable working relationships with government departments and agencies, think tanks and NGOs, and the media. It has developed lines of communication with the US and other
relevant governments in order to pursue its policy advocacy goals.  AFTP’s Board of Directors is made up of noted Palestinian Americans who agree with these principles.

Saturday, January 18, 2014

This Week in Palestine Artist of the Month: Storyteller Denise Asaad In Her Own Words

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http://www.thisweekinpalestine.com/details.php?id=4183&ed=226&edid=226 

A Palestinian artist originally from the destroyed village of Qisariyah in historic Palestine
I was born in Nazareth. Before I turned two, my family moved to Haifa, where I now reside with my husband and children. Ever since I was a child I wanted to become a doctor (as is expected of a good student), but I ended up studying electrical engineering. I worked in health equipment maintenance for nine years at Al Karmel Hospital in Haifa.

In 1984, my first son, Amir, was born. He went into brain paralysis as a result of a medical mistake and was in intensive care for six weeks. During his time at the hospital the doctors asked me to start speaking to him, and since I didn’t know how to speak to someone who wasn’t aware, I found myself telling him stories my father used to tell me, for he found that the best way to keep me quiet. Amir’s existence led me to discover the magic of stories and the connections forged through them.

Later I discovered that my school-principal, conservative father had been a storyteller and had evidently passed that passion on to me. My father’s gravestone reads “For the love of stories, Qisariyah, and my country.”

After Amir was born I left my work at the hospital and went back to school because my time with him made me realise the scarcity of local children’s literature. I received both my bachelor’s and master’s degrees in children’s literature and early childhood education from the University of Haifa. My master’s thesis was about the catastrophe facing children’s literature in Palestine. As I was planning to begin studying for my PhD, I met the Egyptian director Hasan Al Jartly at a storytelling workshop in Amman. His faith in my storytelling was the main reason behind quitting school and taking my talent to the next level.

My journey into the world of stories truly began in 2004. I travelled everywhere - from Palestine to England, Morocco, Tunisia, Jordan, Bahrain, the United Arab Emirates, Italy, South Africa, and France - to collect children’s stories and transport them to children and adults all over the country through actual storytelling, letters, and video conferencing (especially for children in Gaza). I also worked as a storytelling trainer to people of all ages, including parents, students, librarians, and others.

In addition to collecting stories, I participate in events such as conferences on children’s literature and cultural festivals. One memorable festival was in Jordan where I participated as a storyteller and accompanied Kamal Khalil, a renowned musician and performer.

My other more recent projects include filming a story for the documentary “Golden Pomegranate,” by director Ghada Altirawi (which was also accompanied by sign language interpretation). Moreover, I have been launching workshops to empower and support women, youth, and children with special needs. My most memorable and heart-warming experiences were two, one with refugee youth in Amman, where we worked on storytelling as a way to discover their identity, creativity, and power. I met the same group nine years later while filming a documentary, and to my cheerful surprise I found them retelling my stories. The experience made me feel as though I had left something of myself with those people, and they had kept and cherished it.

My second beautiful experience was in Tunisia, where I worked with parents of disabled children as part of a workshop launched by the Almoro’a organisation entitled “Hikawati Hiyakati.” During the workshop I shared my story as a mother of a disabled child, and ended up weaving painful, hopeful, and rich masterpieces with these women, who opened up about their own love and suffering. The workshop’s other outcome was a gorgeous book in Arabic and French, also entitled Hikawati Hiyakati, gathering those stories.


Tuesday, September 24, 2013

Arab Myths Distort Understanding Of American Policy

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Arab Myths Distort Understanding Of American Policy by Dr James Zogby:  As I attempted to demonstrate in "Arab Voices: What They Are Saying and Why It Matters" we, in the West, are still mystified by the Arab World. Absent real understanding, our public discourse and, too often, our policy debates are informed by crude myths and negative stereotypes of the region, its culture, and its people.
Monday September 23, 2013
Dr James Zogby
 
As I attempted to demonstrate in "Arab Voices: What They Are Saying and Why It Matters" we, in the West, are still mystified by the Arab World. Absent real understanding, our public discourse and, too often, our policy debates are informed by crude myths and negative stereotypes of the region, its culture, and its people.

I have noted on other occasions that much the same is true in the Arab World. Having just returned from the Middle East, I continue to be struck by how much of the Arab World's political discussion about American policy is myth-based.

There are two persistent myths that influence Arab perceptions about why and how America does what it does in the world. The first is that they think we are smart—that we know what we are doing and intend the consequences of our actions. The other myth is a variation of the first, and that is that we are all-powerful and can do almost anything—so when we do something and make a mess or when we don't act, there must be a reason.

These myths are both ill-founded and dangerous. Ill-founded because, to be quite honest, we aren't that smart and, therefore, sometimes blunder. And dangerous because they all too often given birth to fantastic conspiracy theories in an effort to make sense out of the disastrous consequences of American policy mistakes.

Both of these myths, after having been given a real run in conversations about the horrific war in Iraq, are again on full display in analyses of US policies toward Egypt and Syria. In discussions about both situations, assumptions are made that American policies are informed and intentional with the resultant consequences having been anticipated.

In the case of Egypt, one line of thought begins with "America supported the Muslim Brotherhood". As it is developed, the argument is made that the US saw (or hoped for) the creation of a "Sunni crescent" in the Middle East as a check against Iran and its allies.

As evidence for this assumption, some point to the simple fact that President Obama recognized the elected Muslim Brotherhood President, Mohamed Morsi, and continued US assistance programs to Egypt. Adherents of this view believe that their case gets stronger when they note that in the lead up to Tamarrod, the US Ambassador to Egypt addressed a public gathering in which she actively discouraged demonstrations, suggesting that political activists should, instead, strengthen opposition political parties and prepare for the next election. A few days later, the Ambassador paid a visit the Muslim Brotherhood headquarters to meet with the group's leader.

Then, after the military deposed Morsi, the Administration didn't immediately embrace the transition and instead sent a high ranking State Department official to urge reconciliation and political compromise. Case closed.

The reality, however, was far more complex. One the one hand, it was entirely reasonable for the US to attempt to work with the elected government of the largest and most strategically important Arab country. America has important interests to protect in the region and sees peace, stability, and progress in Egypt as a key component to those interests. It might also be seen as reasonable that a US official would caution against potentially destabilizing demonstrations and, for the same reason, after the military action of July 3rd, urge the parties to seek some level of accommodation and a restoration of civil order.

Where fault can be found is with American intelligence failing to understand the depth of Egyptian frustration with the Morsi government and the degree to which its agenda had alienated the population. The bottom line is that as difficult as it may be for those who would rather comfort themselves with the certainty of myths and conspiracy theories, America didn't have a clue what was going on in Egypt and was operating in the blind on autopilot. No conspiracy, just mistakes in an effort to protect interests.

I have also been struck by the myths playing out in reaction to the admittedly awkward scenario that developed over the threats to bomb, then not bomb, Syria. It wasn't the "America's smart" myth that played out here, it was myth of the "America, the all-powerful"...READ MORE