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Showing posts with label Palestinian Americans. Show all posts
Showing posts with label Palestinian Americans. Show all posts

Wednesday, January 29, 2025

Rashida Tlaib: Politicians should not be allowed to profit from war

Tlaib introduced the Stop Politicians Profiting from War Act to ban members of Congress and their families from owning defense stocks.

Rashida Tlaib represents Michigan's 12th District in U.S. Congress. 

It’s incredibly disturbing that children in our country are drinking lead-contaminated water — while the U.S. Congress passed another record-breaking military budget of $895.2 billion. That’s nearly a trillion dollars going to weapons and war, and the Department of Defense can’t even keep track of where it’s all going. The Pentagon just failed its seventh audit in a row.

Even more disturbing is the fact that some members of Congress who own stock in war manufacturers benefit financially when they vote to pass funding for war.

When it comes to the Pentagon budget, I never hear my colleagues ask, “How are we going to pay for it?” But when it comes to addressing critical issues here at home, like ensuring every American has clean drinking water, fighting the climate crisis, providing universal school meals to every hungry child, ensuring quality childcare for every family or guaranteeing health care as a human right, my colleagues tell me that we just don’t have the money.... READ MORE  https://www.freep.com/story/opinion/contributors/2025/01/29/rashida-tlaib-federal-budget-war-profiteering-congress-defense-stocks/77854378007/?taid=679a0db8bd13980001f8af50

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Monday, January 7, 2019

Saturday, October 31, 2015

Bright & beautiful Karmah Elmusa in Elle Magazine.... "I'm Longing for Palestine While Living the American Dream" Oct 30, 2015

"Throughout my life, I've felt a constant longing emanating from my father, a sort of melancholy incompleteness. At some point his displacement became an essential part of my and my younger brother Layth's identities. Perhaps we felt the tension of being Palestinian-American more acutely as time went on, and it presented us with a choice: hide that part of ourselves or wear it like a badge. So we embraced our Palestinian-ness—​and our ethnic names—​and never looked back. By now, we know what's coming: unrest. And we brace ourselves for the status quo: American politicians will dismiss dead Palestinians as "terrorists," while respectfully mourning each lost Israeli life. We live with the guilt that we are here, not there. The guilt that we can come and go as we please, while Palestinians in the West Bank and Gaza are barricaded into their homes, neighborhoods, or cities. Israel is flanked by water, but many Palestinians will never see the sea."

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http://www.elle.com/culture/career-politics/a31572/essay-on-being-palestinian-american/

I'm Longing for Palestine While Living the American Dream

My father was born in Palestine and raised in a refugee camp; I was born and raised in our national's capital. Who does that make me, exactly?

by  Karmah Elmusa
After living under occupation their whole lives, and with no prospect of political resolution on the horizon, Palestinian youth have taken to the streets this month in protest. As I sit and watch the polarizing coverage—​now considered to be at near-"catastrophic" levels— ​from afar, disparate emotions dart around inside me like pinballs, striking chords and hitting nerves. There's the sadness, of course–​the sadness that I always feel when I think about Palestine—​that is now pulled to the surface and sharper than usual. Sadness that so many of today's young people are lost to a struggle that is decades old. Sadness that it feels like it may continue for decades more... READ MORE

Sunday, November 10, 2013

Monmouth University Professor Receives Prestigious Award in Washington, DC

Dr. Saliba Sarsar (at the ATFP 10th Anniversary Gala)
http://www.ahherald.com/newsbrief/monmouth-news/16614-monmouth-university-professor-receives-prestigious-award-in-washington,-dc

West Long Branch, NJ -  Dr. Saliba Sarsar, professor of political science and associate vice president for global initiatives, received the Award for Academic Excellence at the 10th Anniversary Gala of the American Task Force on Palestine (ATFP) in Washington, DC on Tuesday, October 29, 2013. 

In congratulating Dr. Sarsar, Dr. Ziad Asali, ATFP President, stated,  “We, your family, friends, and our community are proud of your personal accomplishments, your spirit of public service, your pride in your heritage, and your commitment to our great country.  You are a role model of success and accomplishment that our youth can learn from and emulate.”  

Provost Thomas S. Pearson added, “We are proud of Dr. Sarsar’s academic excellence, stewardship, and global outreach in support of diplomacy and peace in the Middle East.” 

Some 650 people were in attendance at the ATFP Gala, including White House, U.S. Department of State, and Congressional leaders as well as members from academic, the diplomatic corps, and religious institutions.  The keynote address was given by Dr. Philip Gordon, special assistant to the President and White House Coordinator for the Middle East, North Africa, and the Gulf Region.  On Wednesday, Dr. Sarsar joined a small group of ATFP leaders at the White House for a National Security Council briefing on the current situation in the Middle East. 

Tuesday, May 8, 2012

The Child Far Away... Palestinian Folkloric Fairy Tales A Spotlight on Palestinian Painter Bissan Rafe

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Palestinian Folkloric Fairy Tales A Spotlight on Palestinian Painter Bissan Rafe

By Federico Cao

As a multimedia artist and writer based in Texas (USA), Bissan Rafe Alhussien (Qasrawi) established her official art studio (Nohra-Studio) back in 2007, and is currently the director of international relations and a member of the directive council at the International Artist Collective, Ali Ribelli, based in Italy. Her work ranges from oil paintings to illustrations and many things in between. One of her most notable oil series is Palestina I, a series of oil-on-wood paintings that outline the Palestinian folklore and dilemma using folkloric dresses.

It might come as a surprise that Bissan never formally studied art except in two college-level courses in high school and, instead, is a biological science major from the University of Houston System pursuing a future career in naturopathic medicine.

Bissan was born in 1986 as a member of the Palestinian diaspora displaced in Kuwait. At the age of four, she and her family fled to Jordan during the 1990s Gulf War and settled in a remote village on the border of Syria and Jordan near the Dead Sea. They were there for eight years, during four of which they lived primitively, without electricity or running water. “The number four seems to be a reoccurring code in my life,” she says. “It’s very uncanny to be honest!” Subsequently, she named one of her novels A Line of Four Syllables, whereby each increment of the number four marked a major landmark in her life.

Fairy Tales, Bissan’s new project, is a collection of both individual and collaborative work linking eastern and western Asian folkloric cultures through imagination. The new series includes six projects, two of which are in production. Each project is a full-coloured text-illustrated book that conveys an original fairy tale.

The series as a whole will be collected in an anthology encompassing the six fairy-tale books in addition to a documentary outlining all the residencies and countries visited during the creation period. The six fairy tales are: Shamms Islet, The Child Far Away, De Clérambault, The Invisible Girl and the Goat, and two more which are still being formulated.

Shamms Islet is a fairy tale based loosely on Bissan’s novelette released earlier in 2012 by the same name under Nohra-Studio/Arabesque Ink literary division. The story focuses on the journey of a Westerner wolf to the summit of a high mountain where he meets and befriends a girl imprisoned on an islet there with only a giant shadow for a companion.

Shamms Islet ties inspirations from three regions: Beisan (Palestine), Big Bend (Texas), and Yamanashi/Fukuoka (Japan), linking western and eastern Asian folklores. The creation process involved several art residencies and travels to the aforementioned locations with future plans for final production scheduled for Japan in 2013.

How the project is conducted is one of the most attractive aspects of Bissan’s work. Naturopathic medicine, art, and folklore were masterfully woven into the fabric of the story combining elements from the various involved regions. For example, the dress Shamms wears is based on Palestinian traditional dresses that she observed during her trip to the West Bank. The nature and background of the illustrations are linked to locations in Yamanashi, Big Bend, and Beisan.     

The Child Far Away is an illustrated fairy tale produced through the collaboration between Italian-American writer Jason R. Forbus and Bissan Rafe. The story revolves around the refugee child and dreams and is based on the Island of Ventotene. The construction and presentation took place in Italy, Portugal, and Palestine, with revenues generated to support the book’s donations to schools in refugee camps and the developing world.

The Child Far Away has a music production based on an orchestral musical score by Cristian Maddalena that will feature live stage interactions with life-size portraits of the characters and various actors, and an exhibition of the illustrations scheduled to premiere in Italy sometime during November 2012.

Finally, De Clérambault, the third of six in the series, is a fairy tale based loosely on Bissan’s short story by the same name in which the De Clérambault psychological syndrome or Erotomania is the central theme: a type of delusion where a person believes that a complete stranger is in love with him or her. The syndrome often manifests during psychosis, especially in people with schizophrenia and bipolar disorder.

De Clérambault explores the concept of martyrdom. In particular, it links the Berlin Wall to the Apartheid Wall in Palestine. The events of the fairy tale are purely fictional, and the story is told in a dreamlike atmosphere. The title of the work is used metaphorically in the story in order to explain the psychological discrepancies of martyrdom.

Bissan, originally from Beisan, is but one example of the refreshing art one feels resonating from young Palestinians with yet another innovative approach to redefining the Palestinian cause and image. Her new series, Fairy Tales, is a beautiful rendition of the Palestinian history and reality through vibrant, breath-taking illustrations and a gripping style of storytelling. For more information, you can visit the artist’s official website at www.nohra-studio.com or Ali Ribelli International Artist Collective at www.aliribelli.com, which is currently welcoming new artist members.

Federico Cao is an architect and art enthusiast based in New York and Turino (Italy). He has a master of architecture degree from Northeastern University in Boston. He currently resides with his wife and two sons in Turino. Federico can be reached at fedecao@live.com.

All illustrations and pictures are copyright protected by the artist, Bissan Rafe.

See PDF
www.thisweekinpalestine.com/i169/pdfs/aotm.pdf
 

Wednesday, May 2, 2012

Palestinian Christians Against the Occupation

Philip Farah
Co-founder, Palestinian American Christians for Peace
 Posted: 05/ 1/2012

In a recent op-ed in the Wall Street Journal, Israeli Ambassador Michael Oren claimed that Christians in Israel are better off than their brethren anywhere else in the Middle East. Two Sundays ago, "60 Minutes" made clear he attempted to intimidate Bob Simon by going over Simon's head to speak to Jeff Fager, the head of CBS News and executive producer of "60 Minutes," to complain that Simon's story on Christian Palestinians was "a hatchet job" against Israel. In fact, it was a hard-hitting, but honest piece in which Simon helped to expose the terrible harm the Israeli occupation -- not Muslim Palestinians as the ambassador claimed -- is doing to Christian Palestinians in the Holy Land.

I am a Palestinian Christian, now a U.S. citizen, and my own experience and that of my family attest to the falsity of Ambassador Oren's assertion. I was born in East Jerusalem, Jordan in 1952, only a few years after my family and the majority of Palestinians fled from their homes when the newly established Jewish state took over three-quarters of historical Palestine. My family, like almost all the other Palestinians who fled -- Christians and Muslims alike -- became refugees, losing their fields, orchards, homes and practically everything else, to Israel. Israel defied the international consensus and a U.N. resolution calling on it to allow the Palestinian refugees to return.

Had Israel allowed the Palestinians to return, it would not have become a majority Jewish state. Israel's fear of a Palestinian presence within its borders continues to drive its brutal policies of occupation, which victimize Palestinian Christians as well as Muslims. Israel occupied the rest of historical Palestine in 1967, gaining control over a large Palestinian Arab population which many Israelis view as a threat to the "Jewish character" of their country.

There is a simple test of Ambassador Oren's claims: I say to him, "Mr. Ambassador: If your country is so good to Christians, why don't you allow me, my family and thousands of Palestinian Christians to return to our homes in the part of Jerusalem which Israel occupied in 1967 or the western part of the city from which Palestinians were forced out in 1948? Why is it that any Jew from any country in the world can claim full rights of citizenship as soon as he or she sets foot in Jerusalem, while I, whose family roots in Jerusalem go back many centuries, am barred from living with full human rights in my hometown?"...READ MORE 


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