A group of almost 70 Palestinian filmmakers — including two-time Oscar nominee Hany Abu Assad, acclaimed director Elia Suleiman
 and recent BAFTA winner Farah Nabulsi — have signed a strongly-worded 
letter in which they accuse Hollywood of “dehumanizing” Palestinians on 
screen over decades, a factor they assert has helped enable the ongoing 
devastation in Gaza.
https://variety.com/2024/film/global/palestinian-filmmakers-accuse-hollywood-dehumanizing-gaza-israel-1236120786/ 
[AS
                                        ALWAYS PLEASE GO TO THE LINK TO 
                                       READ GOOD ARTICLES (or quotes or watch videos) IN FULL: HELP 
                                       SHAPE ALGORITHMS (and            
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                       DECENCY, DIGNITY, JUSTICE &                  
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            Palestine] 
	We, Palestinian filmmakers, appreciate and thank the National 
Academy of Television Arts and Sciences (NATAS) for standing up to 
pressure and insisting on freedom of expression by upholding Bisan 
Owda’s 2024 News and Documentary Emmy nomination for the documentary, 
“It’s Bisan From Gaza and I’m Still Alive.” 
	This film is narrated by the award-winning and inspiring 
25-year-old Palestinian journalist, Bisan Owda, who has risked her life 
to share with the world reports and stories about the resilience, 
resistance and survival of ordinary Palestinian families in the face of 
Israel’s ongoing, livestreamed genocide in the occupied Gaza Strip. 
	Trying to censor Bisan’s voice is only the latest repressive 
attempt to deny Palestinians the right to reclaim our narrative, share 
our history, and in this case bring attention to the atrocities our 
people are facing in the hopes that we can bring an end to them. We well
 understand the power of image and cinema, and for far too long we have 
been outraged at the inhumanity and racism shown by some in the Western 
entertainment industry towards our people, even during this most 
difficult of times. 
	Through our films, we have tried to present alternative narratives,
 depictions and images to reverse the stereotypical, dehumanizing 
“worthless, disposable beings” image which enables the whitewashing 
and/or justification of the crimes perpetrated for decades against 
Palestinians. But why must we always put on our “boxing gloves” to 
defend our art against ruthless censorship that targets us merely on the
 basis of our identity, not our creativity? 
	We wholeheartedly welcomed the nomination of Bisan Owda’s film for 
an Emmy as an indication that, after so many years of Israel’s apartheid
 and settler-colonial rule over the Palestinian people, the relentless, 
decades-old dehumanization of Palestinians on small and big 
screens in the U.S., in Hollywood in particular, was beginning to give 
way to a more ethical stance. The censorship attempt against the film, 
though, was a reality check of sorts. We must still contend with and 
fiercely challenge the anti-Palestinian and generally anti-Arab racist 
propaganda that remains all too prevalent in Western entertainment 
media.  
	Although we are deeply concerned at how this dehumanization is a 
danger to our very existence as Palestinians, we are cognizant of how it
 also puts many racialized communities around the world, including in 
the West, at risk of a similar fate as the “might makes right” credo 
prevails. 
	We call on our international colleagues in the film industry, 
visionaries for the kind of world we would like to live in, to speak out
 against this genocide and the erasure, racism and censorship that 
enable it; to do everything humanly possible to stop and end complicity 
with this unspeakable horror; and to stand against working with 
production companies that are deeply complicit in dehumanizing 
Palestinians, or whitewashing and justifying Israel’s crimes against 
us. 
	
	This has to stop. Now.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 
|  | 
| From Ground Zero is a 2024 anthology film directed by 22 different Palestinian directors.[1]
 The film is made up of 22 short films, including documentaries, 
fiction, animation and experimental films about the current situation of
 the people of Gaza | 
 | 
- "Out Of Frame", Directed by Nidaa Abu Hasna
- "Hill Of Heaven", Directed by Kareem Satoum
- "Charm", Directed by Bashar Al-Balbeisi
- "Awakening", Directed by Mahdi Karirah
- "Jad and Natalie", Directed by Aws Al-Banna
- "No", Directed by Hana Awad
- "Everything is fine", Directed by Nidal Damo
- "Taxi Waneesa", Directed by E’temad Weshah
- "24 Hours", Directed by Alaa Damo
- "Selfies", Directed by Reema Mahmoud
- "No Signal", Directed by Muhammad Alshareef
- "Soft Skin", Directed by Khamees Masharawi
- "Flash Back", Directed by Islam Al Zrieai
- "Fragments", Directed by Basil Al-Maqousi
- "Offerings", Directed by Mustafa Al-Nabih
- "School Day", Directed by Ahmed Al-Danf
- "Farah and Meryam", Directed by Wissam Moussa
- "Overburden", Directed by Ala’a Ayob
- "The Teacher", Directed by Tamer Najm
- "Recycling", Directed by Rabab Khamees
- "Echo", Directed by Mustafa Kallab
- "Sorry Cinema", Directed by Ahmad Hassouna